The Gods Of Times Square was shot over a six year period that witnessed a radical transformation of "the Crossroads of the World." Gone now are the mom and pop stores, squeezed out by a real estate gold rush. Gone too are the colorful characters who made Times Square a "Speaker's Corner." The Gods of Times Square thus records a moment in New York City history when the place most identified with free speech and free spirits, changed from a democratic, inter-racial, common-ground, to a corporate controlled soulless theme park. Now the choices are fewer, the prices are higher, and the "sin" is gone. The fabled "white way" now plays host to the newest of Gods: Mickey, Minnie and Goofy on one corner, Bugs Daffy and Porky on the other.

THE GODS OF TIMES SQUARE

When Robert, a high school student and aspiring cartoonist, rejects the comforts of suburban life, dropping out of school and leaving home, he finds an unwilling teacher and unwitting friend in Wallace — a former low-level comic artist — in this bitingly funny and playfully twisted coming-of-age story.

FUNNY PAGES

UNCUT GEMS

GOOD TIME

With his gonzo, boundary-shattering comedy, Andy Kaufman provoked, and often outraged audiences. For those who got the joke, that outrage was the very point; Kaufman’s genius was in making people confront their own presumptions. Now through never-before-seen archival footage and intimate recollections of friends, colleagues and family members, filmmaker Alex Braverman excavates the all-too-short life and career of the enigmatic legend whose impact is felt all the more today with the blurring of artifice and reality that defines our present age.

Produced by Wavelength, Tremolo Productions and Elara

THANK YOU VERY MUCH

IN HIGH SCHOOL, HE WAS RANKED HIGHER THAN LEBRON.

LENNY COOKE

Mining the emotional sense memories of their own fractured childhoods, Josh and Benny Safdie craft a by turns empathetic and disquieting portrait of parental dysfunction poised between fierce love and terrifying irresponsibility. Manic Manhattan movie theater projectionist Lenny (cowriter and longtime Safdie collaborator Ronald Bronstein) is perhaps the last person who should be raising kids, yet here he is, trying (and failing) to keep it together as his life unravels over the two whirlwind weeks in which he has custody of his young boys (real-life brothers Sage and Frey Ranaldo), with an impromptu road trip, a sleeping-pill mishap, and a night in jail all part of the chaos. Vérité New York naturalism gives way to flights of surreal lyricism in 

 a blearily impressionistic anti–fairy tale that finds unexpected humanity in the seemingly most irredeemable of fathers.

DADDY LONGLEGS

A nightmare transmission from the grungiest depths of the New York indie underground, the visceral, darkly funny, and totally sui generis debut feature from Ronald Bronstein is a dread-inducing vision of misfit alienation at its unhinged extreme. In a maniacal performance of almost frightening commitment, Dore Mann plays Keith, a disturbingly maladjusted social outcast and self-described “troll” whose neuroses plunge him into an unstoppable spiral of self-obliteration as his crummy coupon-selling job, pitiful living situation (featuring the roommate from hipster Brooklyn hell), and last remaining human relationships disintegrate around him. As captured in the grimy expressionist grain of Sean Price Williams’s claustrophobic camera work, 

is DIY cinema at its most fearless, uncompromising, and unforgettable.